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[post_content] => URL : https://youtu.be/DLHKNeHEheQ
Koichi Uchida
The Six Ancient Kilns, BANKO archive design museum
Uchida was born in Aichi, in 1969. After completing the Ceramics Art Program at Aichi Prefectural Seto Ceramics High School, he began work at a pottery workshop in Yokkaichi city, Mie prefecture, while visiting overseas kilns in Southeast Asia, Europe, Africa, South America, etc. and familiarizing himself with the pottery-making techniques of the industries of each region. In 1992, he founded a kiln in Yokkaichi city, where he began activities as an independent artist.
Other than pottery, he makes works using iron, plaster, wood, glass and works with spatial designs as well. Using his unique sensibilities, Uchida has selected and collected ancient ceramics and implements over time and by 2015 founded the private art museum, BANKO archive design museum. Engaging in the likes of archiving his hometown’s industrial heritage of the Yokkaichi Banko ware, he has displayed a unique and progressive involvement with the promotion of pottery production areas.
[post_title] => Interview with Koichi Uchida
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Louise Cort
The Six Ancient Kilns, SHIGARAKI, Potters' Valley
Louise Cort (Curator)
Born and raised in the US, Louise first came to Japan as a high school exchange student. She studied Japanese art history as a graduate student at Oxford University, and in 1967 she returned for her second stay. After coming across Shigaraki ware and other medieval Japanese ceramics, she chose Shigaraki as the subject for her master's thesis. She continued investigating the topic even after completing her thesis, and in 1979 she published her book, Shigaraki, Potter’s Valley, through Kodansha International.
Louise's book swiftly spread the story of Shigaraki ware abroad. In 1981 she became a curator for the Smithsonian Institution's two museums dedicated to Asian art, the Freer Gallery of Art and the Sackler Gallery, specializing in ceramics. Her research encompasses historical and modern-day ceramics in Japan, Southeast Asia, and South Asia, as well as Japanese bamboo ware, weaving, and tea ceremony. Even now, she continues making visits to Shigaraki to understand how this community is evolving.
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[post_date] => 2020-03-23 12:20:17
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[post_content] => Published in March 2019
Published by The Six Ancient Kilns Japan Heritage Promotion Council (Bizen City Industrial Tourism Department, Tourism Promotion Team)
Editorial direction: MUESUM
Design: UMA/design farm
Photograph: Shinpei Kato
Illustrator/ Konatsu Tani
Handwriting/ Keisuke Yamazoe [UMA/design farm] (pp.4-15)
The Six Ancient Kilns - Its Time and Place / The Six Ancient Kilns Travel Note — Tracing the origins of pottery / My pottery / The possibility of pottery persisting one thousand years
[post_title] => “Journey. One thousand years. The Six Ancient Kilns”(Second Issue “In and Around The Six Ancient Kilns”)
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[post_date] => 2018-05-08 23:34:43
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[post_content] => Published in April 2018
Published by The Six Ancient Kilns Japan Heritage Promotion Council (Bizen City Industrial Tourism Department, Tourism Promotion Team)
Editorial direction: MUESUM
Design: UMA/design farm
Photograph: Shinpei Kato
Illustration: Konatsu Tani, Masaki Kuroki
What are the "Six Ancient Kilns"? / Six themes that explain the Six Ancient Kilns / Journey through the Six Ancient Kilns - reports from the ancient kiln sites / Pots from the medieval age / The possiblity of ceramic traditions that last a thousand years.
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Koichi Uchida
The Six Ancient Kilns, BANKO archive design museum
Uchida was born in Aichi, in 1969. After completing the Ceramics Art Program at Aichi Prefectural Seto Ceramics High School, he began work at a pottery workshop in Yokkaichi city, Mie prefecture, while visiting overseas kilns in Southeast Asia, Europe, Africa, South America, etc. and familiarizing himself with the pottery-making techniques of the industries of each region. In 1992, he founded a kiln in Yokkaichi city, where he began activities as an independent artist.
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